Throughout their career the Sixth Men had often been fascinated by the idea of flight. The bird was again and again their most sacred symbol. Their monotheism was apt to be worship not of a god-man, but of a godbird, conceived now as the divine sea-eagle, winged with power, now as the giant swift, winged with mercy, now as a disembodied spirit of air, and once as the bird-god that became man to endow the human race with flight, physical and spiritual.